to his brother.Lightborn There hands were never stained with innocent bloodNor shall they now be tainted with a kingss ( 5, 5, 80-81)Lightborn To rid thee of they life; Matrevis, come (5, 5, 106)Lightborn So, lay the table down, and stamp on it, But not too hard, lest that you bruise his body (5, 5, 111-113)BosolaDoth not death fright you? (4, 2, 202)Duchess Who would be afraid ont,Know to meet such excellent companyIn th other world? (4, 2, 203-205)DuchessMust go upon their knees [kneels] come, violent death,Serve for mandragora to make me sleep.Go tell my brothers, when. I am laid out,They then may feed in quiet.They strangle her (4, 2, 226-230)In conclusion, the two death scenes told me the undertones of what the two plays were really was. The sexual nature in, Edward the Second revolves on his homosexuality, while in the, The Duchess of Malfi, the sexual nature was the obsessions of his brother to protect her....
