theless, has no direct relevance to Canadians. It does not link to any traditions, values, or and attitudes of English-Canadians. Hedda Gabler, on the other hand, is still more Canadian than both Shakespeares Dead & Foolius Ceasar. As already established, Hedda Gabler was adapted by an individual of Canadian nationality. Furthermore, although not set in Canadian geography, Hedda Gabler does reflect a part of history, values, and attitudes relative to many, but not all, English-Canadians. The struggle for equality has been an ongoing battle for many Canadian women, and Hedda Gablers struggle is based primarily around this issue. Audience members anywhere in English-Canada are able to associate themselves with the struggle of Hedda Gabler throughout the play. Hedda Gabler can not be seen as undisputedly Canadian, since not all English-Canadians share the same values and attitudes as those seen in Hedda Gabler. Unfortunately, until the traditions of the different groups blend as they have in America, English-Canada can not have a real national identity, neither on nor off the stage. It can be argued that the differences in cultural values and traditions are an aspect of the English-Canadian identity, but in order to have a distinct cultural identity, it must be one in which everyone can relate to and see in their own life. A Canadian identity must be shaped by a collection of different values, traditions, and cultures that have emerged from history to create a unique individuality.English Canadians lack a real national identity off stage making it difficult to evaluate what constitutes English-Canadian theatre. Simply put, Canadian plays are those written by individuals of Canadian nationality concerning traditions or values and attitudes which individuals can relate to. Values, attitudes and cultures of different groups shape identity as they emerged from our history and geography. Even though individuals have their own Cana...
