the performance, I found myself “reaching” at times to understand some casting decisions, but I was soon turned off to the play and I really didn’t care anymore. Props, stage layout and organization, and scenery actually added a nice simple touch, but the lack of costume creativity and variation detracted from this one nice aspect of the play.“I Remember Mama” was a poor production decision for The BRLT overall. While the play was, at best, tolerable at times I feel that the director, Roy Hamlin, could have avoided adding additional unfavorable elements to an already bland work by eliminating the faux accents and perhaps deviating to the side of variety slightly to keep the audience interested throughout the production. ...