th's personality is that out of which tragic heroes are fashioned; it is endowed by the dramatist with an astonishing abundance and variety of potentialities. And it is upon the development of these potentialities that the artist lavishes the full energies of his creative powers. Under the influence of swiftly altering environment which continually furnishes or elicts new experiences and under the impact of passions constantly shifting and mounting in intensity, the dramatic individual grows, expands, developes to the point where, at the end of the drama, he looms upon the mind as a titanic personality infinitely richer that at the beginning. This dramatic personality in its manifold stages of actuation in as artistic creation. In essence Macbeth, like all other men, is inevitably bound to his humanity; the reason of order, as we have seen, determines his inescapable relationship to the natural and eternal law, compels inclination toward his proper act and end but provides him with a will capable of free choice, and obliges his discernment of good and evil. ...
