ted of towels, beachchairs and a life guard station. The towels were green, yellow and purple along withmatching bathing suits. Everything was awkward, similar to the sixties. This setting tookup the whole stage. The beach was mostly used during the daytime and you could tell bythe sun would be up and everything would be bright. When the beach was used there weremany funny parts. Although, there were some serious talks on the beach and you could tellbecause the lights would dim and it would seem as though it was night time. The nextsetting is at the Palace Studios in Milan. The studio’s busy clustering took up the wholestage. There were many colors along with actions occurring at all times. Although therewere no real backdrop you could tell the setting was a studio by the people and theiractions. In addition there was a producer looking off stage directing a play. Everythingwas extremely busy and you could tell it was the happening place to be. This setting wasdefinitely used during the day but then again it was inside so you could not exactly tellwhat time of day it was. Mr. Wolfe’s concept of the studio was very life-like and youcould certainly tell it was a studio. It was exceptionally well planned out.At two particular points in the play one being where the outlaws, played by JohnDzunda, Nick Fahey, and Jeremy Abbott and the other part in the play with LoreleiLarson, Antoinette, and Justin Vasquez her chauffeur and lover. The first scene is verycolorful. There is a colorful background where the three outlaws pop out from the top ofthe background setting and then later come to the ground to capture Valentine. Thebackground was very colorful and the three made a surprising entrance in the up right ofthe stage. Thus, signifying there was going to be a conflict. Which there was. The scene isvery intense but then changes to laughter. The three outlaws weakly try to captureValentine with a gun but then ask him to be their lead...
