in a maze. She could always see the child behind her, but not the adult in front of her. The teenager's movements were mostly turns, implying confusion, and constant changes of direction. The adult was seated on the edge of the stage, watching the action. She began as an observer, as if remembering her past, but as the dance continued, she would stand up, walk around a little, then sit back down again, making good use of levels, but never distracting from the main action. The adult was reminiscent; she watched and reacted to the other two as if reliving her time as a teenager and her apprehensions on growing up. We were expressing our fears and worries through body movements and non-verbal expressions. Each of us had the chance to play all three roles, so we could experience three different emotions. Switching around like that allowed us to see the issue from different points of view. After this experience, we all felt a little more at ease with the transition we were about to make and ourselves. By expressing our fears, we had overcome them. When developing one's self through drama, there are a number of things one can concentrate on. The first is the senses. By using all of one's senses, whether each by itself or all at once, one begins to explore themselves and one's surroundings in greater detail than ever before. One becomes more aware of the physical world, i.e. the sound of the wind through the grass, the taste of a hand, and this leads to being more socially aware in the future. The senses are heightened, allowing the individual to be more perceptive around others and therefore have better relations in the adult world. Another aspect one can concentrate on is body movement and non-verbal communication. We say so much about ourselves through body language. If we can learn to control each part of our bodies and the movements it may make, we can be more in control of our lives. How we use our bodies is what we are most judged on by...
