The Art of Sculpture
His works have been widely exhibited in numerous oneman and group exhibitions and are in the collections of many museums, including the Museum of Modern Art and the Whitney in New York City, the Hirschhorn Museum in Washington, D.C., the Walker Art Center in Minneapolis, the Los Angeles County Museum of Art, and the San Francisco Museum of Art (Several).

Graham has a number of public art works on display in Los Angeles today. In 1996, a newly constructed space adjacent to Rolfe Hall on the campus of the University of California at Los Angeles contained several pieces by Graham. The courtyard was built with the support and patronage of Roy and Carol Doumani, two collectors with a particularly strong affinity for the works of Graham. Most of the Graham works from the Doumani collection are classical bronze creations of idealized and nonidealized women, each expressing an inner strength and individuality. Edward LucieSmith has made the comment that Graham's images of women evoke "an analytic response" and "an intellectual statement." Among those at UCLA is "Dance Columns I and II" located in the Murphy Sculpture Garden, gifts from the Doumanis from 1978. Now there are eleven Graham works standing in the new space.

"Dance Columns I and II" are reminiscent of two female guardians at th

 

The musical theme of the piece is well-suited to its locale, for music is the primary business of the Pavillion and is in the name of the entire complex--The Music Center. The location of the piece and the fact that its body is that of a bronze door suggests other meanings as well. The piece is an entrance, and this can mean an entrance to music, an entrance to dance, an entrance to art, and even an entrance to the Music Center for those approaching it from the street. It is significant that this door is always open--anyone can approach and partake of the joys of music and dance. The piece is oriented in the complex so that visitors can walk through the door if they wish, thus physically representing the theme in their own actions as they are going to or from the musical performance.

"Dance Door," however, is a prominent work in the complex and attracts a good deal of attention. People often have time before the program at the Pavillion begins and use that time to inspect some of the works of art in the area. Many congregate around "Dance Door," examining the figures on the top or the reliefs in the body of the door jamb. People often walk through the piece, seeming to marvel at the fact that they can do so and looking carefully at the piece as they do so. It is not clear from observations what they think about its meaning or its value, so interviews were conducted with some of the people to get an idea of what they thought of the piece.

The piece is striking and clearly visible in its prominent place on the east side of the complex. The area is dominated by the fountain, though, whose kinetics attract the eye. The fountain is very popular because it offers an ever-changing pattern of water rising high into the air from a series of jets in the ground. The fountain is striking as well because it is flat--there is no water-filled basin at the bottom but instead a system of drains which carry the water away. People interact with this fountain even to th

 
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    Dance Door | Music Center | Chandler Pavillion | Stephanie Spy | Los Angeles | Figures III | Columns II | Art Institute | CONCLUSION Considering | Mark Taper | los angeles | music center | dance door | public art | duke ellington | dorothy chandler pavillion | chandler pavillion | dorothy chandler | mark taper forum | dance columns | ellington memorial | robert graham | ellington memorial column | study duke ellington | duke ellington memorial |  
   
 
 
 
   
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