Landscape Gardening: A Form of Art
In the United States, the Cornish Colony was started in 1885, in New Hampshire, along the Connecticut River. In the late nineteenth century, individuals like Rose Nichols, Stephen Parrish, and Charles Platt transformed the landscape by ôturning farmhouses into summer houses and pastureland into gardens,ö (Van Buren, 1988, p. 369). The inhabitants of Cornish Colony were heavily influenced by the changes taking place in landscaping by landscape architects like Charles Platt and artists like Stephen Parrish. Rose NicholsÆ garden design is emblematic of the use of walkways and colors associated with such landscapers and artists, (SEE Fig. 1).

Stephen Parrish was a landscape painter who lived in Cornish Colony. He considered himself an amateur landscape gardener, but he spent more time in his garden than a

 

t studio according to residents of the Colony. His garden was created over time, more a gradual process than an outright creation. However, Van Buren (1988, p. 369) notes that though Parrish never had any formal training in architecture or design, ôas an artist he created a garden that expressed his interest in color and composition,ö (SEE Fig. 2).

One of the most famous residents of the Cornish Colony was landscape architect Charles Platt. Platt was heavily influenced by the Italian Renaissance. His architecture and his landscape architecture were both influenced by the Italian villas he admired. As Van Buren (1988, p. 373) notes, PlattÆs landscape designs in Cornish made him ôone of the leaders, if not the single originator, of the American return to formal landscape design.ö We see the geometric spaces, symmetry and balance, and decorative objects like fountains in PlattÆs own garden in Cornish, one that was heavily influenced by those of the Italian Renaissance, (SEE Fig. 3). The popularity of landscape gardening would continue to grow in light of new tech

 
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