The Theme of McCarthyism in Arthur Miller's Play The Crucible
. . Guardedness, suspicion, aloof circumspection--- . . . what have [these traits] ever had to do with the creative act? . . . Out of the hectoring of columnists, the compulsions of patriotic gangs, the suspicions of the honest and the corrupt alike, art never will and never has found soil (Miller 160).

The point Miller is making is that his play should not be seen as a political treatise arguing against McCarthyism and nothing more. He is finally arguing for the freedom of expression of the individual, even when that expression appears to defy social standards and understanding.

Miller writes that "It was not only the rise of 'McCarthyism' that moved me, but something which seemed much more weird and mysterious. It was the fact that a political, objective, knowledgeable campaign from the far Right was capable of creating not only a terror, but a new subjective reality, a veritable mystique which was gradually assuming even a holy resonance" (Miller 161-162).

The Crucible, then, is about McCarthyism in the same way that Moby Dick is about whaling. Miller is writing about an external force which deliberately terrorizes a nation of apparently thinking individuals and does so in such a way that they do not even see the design behind the terror. Miller writes "That so interior and subjective an emotion could have been so manifestly created from without was a marvel to me. It underlies every word in The Crucible" (Miller 1

 

The United States had been swept into World War II, had lost its innocence, and after the war looked around for the next Hitler, finding him in Stalin and finding Nazism in Communism. The McCarthy era was a symptom of the Cold War. The Puritans saw themselves as superior beings (while doubting it at the same time) just as Americans after World War II saw themselves as superior beings in a superior country --- challenged only by Soviet Communism. Evil in Puritan New England was embodied by the "witches" and evil in post-World War II America was embodied by Communists. As Miller writes of the Puritans --- "They believed, in short, that they held in their steady hands the candle that would light the world" (5) --- so could he have written of the Americans after they saved the world from Nazism, as they saw it.

The edge of the wilderness was close by. The American continent stretched endlessly west, and it was full of mystery for them. It stood, dark and threatening, over their shoulders night and day, for out of it Indian tribes marauded from time to time, and Reverend Parris had parishioners who has lost relatives to these heathen (Miller 5).

Stouffer, Samuel A. Communism, Conformity and Civil Liberties Garden City, New York: Doubleday, 1955.

It is a strange combination of true fear of the evil of the enemy (the witch or the communist) and the fear of being isolated from society which drives the people in this play and in the era of Mccarthy to join in the hysteria.

The view of the Puritans toward the Devil was the same as the view of the McCarthyites toward communism. As Hale says of the relationship between good and evil: "Theology, sir, is a fortress; no crack in a fortress may be accounted small" (Miller 67). The same can be said of the view of the McCarthyites toward communism: no sign of communism in the United States---in the government, in Hollywood, anywhere --- is too small to be rooted out and destroyed. The line between Christianit

 
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    Miller Nowak | Arthur Miller's | McCarthyism Congressional | Goody Osborn | Communists Miller | Maybe McCarthy | Godfearing American | Puritan England | Moby Dick | Osburn Miller | miller's play | miller writes | cold war | war ii | lies truth | view mccarthyites communism | fear evil | miller play | christian woman | mccarthyites communism | view mccarthyites | city york doubleday | world war ii | garden city york |  
   
 
 
 
   
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