Egyptian and Greek Art
In portraying the human figure, artists employed a style which art historians call ôfrontalism,ö showing the body and head in profile, but the eye full on, and one foot in front of the other. These drawings also generally depict generalized figures rather than trying to capture individual portraits of specific human beings. Most pharaohs depicted in these portraits are indistinguishable from one another, identified only through the cartouches included as part of the design.

By the rise of Greek civilization, Egyptian artists had been developing their art for close to 2,200 years, and Greek artists, like many others in that part of the world, could not help but be influenced by what had come before. Rhys Carpenter observes, ôIn the course of the eighth century [BC], commercial contact with the eastern borderlands of the Mediterranean brought the hitherto severely isolated Greeks into contact with the long-established and highly evolved art of Syria, eastern Anatolia, Mesopotamia, and Egyptö (20). All of these artistic traditions influenced the Greeks, but the Egyptian impact may have been most significant simply because it was so extensive and rich.

Many of the same kinds of images used by the Egyptians found their way into

 

The resulting contrast is between a civilization in which individual life is part of a larger continuum and a society in which individuality is prized as a discrete example of the divine whole. The contrast is clear in the art that each society produced. As Bullock and his colleagues contend:

Yet the Greeks employed such figures differently in their own art, and this ultimately led to the establishment of a different artistic tradition and style. Human figures in particular serve different purposes for the Greeks from those in Egyptian works, and those differences become evident as soon as apparently similar figures are compared between cultures. As Bullock, et al, note:

Carpenter, Rhys. Greek Art: A Study of the Formal Evolution of Style. Philadelphia: U of Pennsylvania P, 1962.

Both civilizations created enduring, distinctive art. Both traditions continue to resonate for contemporary viewers seeking to understand two very different worldviews.

 
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    Some topics in this essay  
 
    Greeks Egyptian | Diana Buitron-Oliver | Roehrig Egpytian | | Gisela Richter | Michael Bullock | Ancient Egyptian | Rhys Carpenter | Kingdom Dynasties | Egypt Mesopotamia | egyptian art | greek artists | greek art | bullock et al | artistic tradition | bullock et | et al | greeks egyptian | human figure | greek sculpture | century bc |  
   
 
 
 
   
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