"El Norte" the Movie
They soon find that they cannot trust anyone in their new environment, as one coyote tricks them into thinking he will help them and then tries to rob them of their twenty dollars. They are arrested by Immigration officers, but are able to escape being sent back to Guatemala by pretending to be Mexican Indians. Finally, they find a friend of a friend named Raimundo who helps them across the border by sending them through an empty sewer tunnel. In the third part of the film, Enrique and Rosa rent a dirty hotel room from a mercenary individual named Monty. Rosa gets a job in a sweatshop, where she meets a helpful woman named Nacha. Through a stroke of luck, Enrique gets hired as a bus boy for an elegant French restaurant. However, when Enrique gets a promotion over a Mexican-American youth named Carlos, Carlos seeks revenge by calling the Immigration Board. Enrique manages to escape, and his friend Monty introduces him to a woman from Chicago who wants to give Enrique a foreman job, with the chance of obtaining a green card after a year. However, in order to take the job in Chicago, Enrique would have to leave his sister behind in Los Angeles. When Enrique learns that Rosa is dying from .typhus caused by rat bites suffered during their climb through the sewer tunnel at the border, Enrique decides to

give up his opportunity in Chicago, and goes to her. In the final scene, Enrique is working at menial labor while reminiscing about his

 

El Norte engages the audience emotionally in the lives of Enrique and Rosa because their plight is presented on a narrative, personal level. The characters are given warmth by the script, and the actors are capable of bringing that warmth to life. The family bond between the main characters is something that virtually anyone can identify with, and this helps the audience to vicariously experience the emotional traumas of those characters. The film could have been made differently and still gotten the same message .across. For example, it could have been produced as a documentary of sorts, tracing the struggles of its characters in an objective, matter-of-fact way. However, the message would not have been quite as effective if the personal element in the story of Enrique and Rosa had been removed. Because their plight is personalized, it becomes more meaningful to the viewer, who is able to identify with the universality of the emotions being portrayed. Thus, El Norte provides an excellent dramatic presentation of a serious contemporary social problem, and it does so in a way that vividly brings its message to life.

Kael, Pauline. "The Current Cinema." New Yorker (20 Feb. 1984): 113-115.

Thomas, Kevin. "'El Norte' Probes Plight of Illegal Immigrants." Los Angeles Times (8 Mar. 1984): VI, 1+.

In their old country, despite the invasion of hostile soldiers, Enrique and Rosa were accustomed to sticking together and helping friends and family members out. Their experience in America, however, "lays bare the treacherousness of the American dream, where, in the struggle for survival, the individual is tempted increasingly to think only of himself" (Thomas 1). Unlike life in the Guatemalan village, the youngsters in America must work hard to earn just enough money to survive. In the course of the film, Enrique begins identifying with the values of the American culture. Thus, when Nacha confronts him with the news that Rosa is dying, and Enrique answer

 
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    Some topics in this essay  
 
    Enrique Rosa | El Norte | San Diego | Central American | Los Angeles | Rosa Indian | Enrique Rosa's | Chicago Nacha | Angeles Enrique | Tijuana Mexico | el norte | enrique rosa | culture clash | central american | sewer tunnel | film el | los angeles | scene enrique | film el norte | example scene | life guatemalan village | life guatemalan | enrique rosa reach | sewer tunnel border | culture clash experienced |  
   
 
 
 
   
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