n changed the name to Hunsdon's Men. When the office of Chamberlain was offered to him, George again changed the name back to Lord Chamberlain's Men. The Chamberlain's Men were housed in the theater known as the Newington Butts and for a short time at the Cross Keys Inn. They later relocated to The Theater and when The Theater was dismantled , the troupe was rehoused in the Globe Theater. The Chamberlain's Men were not only housed in The Globe, but the principle men of the troupe, Richard and Cuthberg Burbage, Pope, Phillips, Heminges, Kempe, and Shakespeare, designed and built it, paid for the leased land that the theater sat upon, and ran the theater. It was said that "from a dramatist's and actor's viewpoint...oustandingly the most attractive playhouse in London" (Thomson 18). They would go on to perform shows written by Ben Jonson, Thomas Dekker, and shows written together by Francis Beaumont and John Fletcher. The group put on such plays as Othello, Henry V, The Merchant of Venice, Macbeth, King Lear, Measure for Measure, The Merry Wives of Windsor, Anthony & Cleopatra, The Fair Maid of Bristow and many, many more. Though they performed plays by other playwrights, it was Shakespeare who was their principle playwright. Though we may have lost many documents from the period of Elizabeth, or may not have found all documentaion, we mantained enough to see, if not immensely, a little bit of the profound effect Queen Elizabeth had on the arts. If Elizabeth had not meddled in the affairs of the arts Elizabethan Theater may not have had such a lasting affect on following generations. She not only stood up for and protected professional acting troupes, she influenced and helped popularize the backing of Adult companies by pulling in wealthy citizens and convencing them to take on Adult companies in their name, offering them protection and finacial backing. Through her help and the support of her council we can enjoy Elizabethan theater and ...