local High Renaissance style with elements of mannerism, including complex compositional schemes that often employ a so-called worm's-eye view perspective- used figures reminiscent of those of Italian artist Michelangelo, rendered in powerful foreshortened or contorted poses- blended brilliant, luminous contrasting hues in the Veronese tradition- compositions often involve multileveled settings and dramatically steep perspectives, especially effective in the ceiling paintings- three levels of reality can be found - the grave itself, set into the wall at eye level and closed by an actualstone slab- the contemporary re-enactment of the miraculous burial- vision of celestial glory witnessed by some participants- This painting was very much like Masaccios "trinity" mural- El grecos venetian training came is mastery of portraiture, "Fray FelixHortencio Paravicino"Proto Baroque- El Grecos fame is greater now than ever beforeCorregio- (1489/94-1534) Most important representative of the proto baroque style- " the assumption of the virgin" c. 1525 located in the dome of the Parma cathedral- A masterpiece of illusionistic perspective- The figures move with such exhilarating ease that the force of gravity does not affect them- did not feel a difference between spiritual and physical ecstasy- This is seen by "the assumption of the virgin" and " Jupiter and Io"- The nymph Io and Jupiter, , with the nymph swooned and a leonardesquesfumatoRealism- is centered in Brescia and Verona, where they worked int he style of Giorgone and TitianSavoldo- one of the most attractive of northern Italian realists "St. Matthew and the angel- Background paintings, very lively and ornateChrist in the House of Levi- avoids all reference of supernatural- symmetrical mood brings us back to Raphael and da Vinci- paints this as almost a banquet- devoid of man's soul or "Intention of man's soul"- filled Chrst side with bafoons, drunkards, etc. and not with the twelve...
