apostles- thinks that this is showing the Last Supper but never said because then he would get in trouble- the figures in the piece are not symmetricalSculptureMannerism, First and Second phaseBerruguette- did St. John the Baptist- anticlassical trend in Florence- reliefs carved twenty years later for wood choir stalls- angular, emancipated body with claw-like handsCellini - Saltcellar of Francis 1- Object reflects the cosmic significance of Medici tombs- Playful fancy depicted by Cellini- Attempt of Cellini to impress us with grace of figures- Marvelat the divorce form from content- Elegant figures are smooth, elongated, and languidPrimaticcio- Cellini's rival at court fo Francis IStucco Figures- Part of house for Francis I- Combination of painted oval and relief- Sculptures around the mirror- Holding up a pier in chateau- Four maidens not burdened with any allegorical significanceGiovanni Bologna- Most important sculptor in FlorenceThe Rape of a Subine Women- Group of figures larger than life size- Place of honor in Plaza- Theme of ancient Rome legend- In story, founders were adventurous tribe of men- The men couldn't find wives- Invited neighbors, Subine- Beat up men and raped women to ensure longevity- Originally had no theme- Three figures of contrapasto figures, united in common action- Very cylindrical- Carved in marble, was a massive scale- Spiraled upward- No trace of genuine pathos ArchitectureVasari -Palazzo degli Uffizi in Florence -2 long wings, originally intended for offices-face each other across a narrow court linked at one end by a loggia-copied Michelangelo but design lacks sculptural power and expressiveness -loggia forms a screen as weightless as facade of Pazzi Chapel -architectural members have no energy -seem artificialAmmanati -courtyard of Palazzo Pitti -display of muscularity -like a pastry -3-story scheme of superimposed orders -from the Colosseum -extravagant pattern of rustication that "imprisons" the col...
