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PreIslamic Qasidas

etuate the fame of their noble deeds, dignify the memory of their dead, and trap their enemies in songs of mockery,” making him a hero (337text,68). The purpose here is to see how in each qasida, the poet is a hero. The first qasida, Is What You Knew Kept Secret, the poet in bayt 13 expresses at the end of the nasib the only image concerning the loss of his beloved, uttering the image of her clinging to him. This is quite ironic because this is the only reference he chooses to give her while he constantly talks of her loss. It is of course a given that the audience at that time knew that in the nasib a loss of a beloved is remembered, so they become sympathetic with the poet because he expresses things that his audience feel but do not have the skill or courage to express. Then comes the description of the ostrich in the rahil (personification to stand for the poet),who quickly rushes home to protect his eggs (his babies). This is meant to portray the picture of love and security. One might ask, why an ostrich? The ostrich in this specific qasida because it is not only a survivor of the desert, but also makes sure his family are attended to and protected, he is their hero. Here the personification is meant to mean that the poet is going to his kinship group and to be a protector. The poet then shifts from the rememberance of his beloved to his tribe (the ostrich eating the colocynth), symbolizing his return to his family. The hikma section comes next, (not mandatory) where the poet declares what should matter to a man, which is his respect, reputation(name),and his honor, saying that everything material can come to an end at any given time. Therefore exclaiming that one should sacrafice all material things. He further expresses, that the only thing that lives is your name and what you are remembered for since all is immortal. He mentions that generousity is an important virtue, and reminds the audience of their socie...

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