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PreIslamic Qasidas

ties values, reinforcing what they already know, it reminds the audience of what should be of importance to them. In the wine section of this qasida, the poet is just having a good time, living to enjoy live (cheerful passage). Similar to the hikma, he is stressing to the audience that enjoying life by drinking is good, internal enjoyment, not external (material). Finally, we come to the gharad where the poet praises himself and his tribe. He says he is a warrior, protecting and serving the tribe, reinforcing their tribal identity and thus their hero. The second qasida, Labid, the poet expresses in the atlal the loss of his beloved and compares the site of departure and the wild. Once again, the poet is being brave by sharing his experience of loss with the audience which is a hard thing to do. Then he leaps into the Rahil, the journey desert undertaken by 2 camels, one male and one female. One camel personifies himself, and the other (the female) what he is protecting. He is the heroic one here through the difficult desert journey, and overcomes it. A lot of personification and hidden meaning are present in this qasida. While in the desert, he gets into a fight, almost getting killed but heroically surivives, thus surviving the loss of his beloved. The female camel survives the loss of her fawns symbolizing the poet loosing his beloved (same intensity). His love experience was a traumatic one, portrayed in the nasib (directly) and in the rahil (indirectly). To the poet, surviving the desert journey is nothing less than surviving the loss of his beloved, it is equal is great courage. Then comes the wine section, where the poet has fully recovered the loss of is beloved and has completely gotten over her and this is evident in the wine section as he drinks. Here I think that the poet is trying to send a message to the audience that loss of a beloved is tragic but to be overcome heroically. In the gharad of this qasida, i...

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