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PreIslamic Qasidas

t is centered around himself, then moves to gracefully boast of his tribe, bringing their spirits up surely. This example is a strong one because the poet really does overcome the tragic loss of his beloved and moves on with his life, sending a powerful message to his kinship and also at the same time boosting their identities and values. Bid Hurayra Farewell, starts off with the nasib and the departure of the beloved saying that the loss of the beloved is a big deal and that it is a test of manhood. He describes the beloved with great detail and worth. The whole nabib revolves around her, which is not present in the above qasida’s and is ideal for him and his audience. It is a very tragic love triangle, where he loves her, she loves another, whom loves another. In the Rahil a storm takes place which symobizes the water washing away his pain, cleansing him. He waits for the rainstorm and it washes and floods everything. Here he cannot drink and forgets his beloved but at the same time needs the storm to cleanse himself and his broken heart. Then comes the Fakhr section where he boasts of himself and his pride, says that if someone kills one of ours, we don’t have to kill that specific person, any uncle or relative of that person would do. In the wine section, he says if you can’t drink, then don’t, but only tough people do (himself being tough). He is the ideal, tough guy who is waiting to get his wine first and drinks it. In the gharad, he is addressing another tribe, a trouble maker tribe (Abu Thubayt) provoking other people against his tribe. He is overly full of his tribe, which they presumably enjoy. The purpose here is to praise his tribe while at the same time lampoon another, at the end of the recital it is sure that he ( the poet) is their superman, and makes them feel powerful. Arabian Ode in “L”, in my opinion shows a different hero than the above qasida’s. He was a s...

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